Yeh Kaali Kaali ankhein || Season- 1 || Review || Cast ||
Yeh Kaali Kaali Ankhein - A powerful politician's daughter falls in love with a boy. She is ready to do anything to get her love. But the boy tries to run away from the girl. The boy faces a lot of difficulties getting away from her. The girl's father Akheraj forces the boy to marry her against the boy's consent. It is now on Netflix...
Yeh Kaali Kaali Ankhein Review:-
Yeh Kaali Kaali Ankhein — presently spilling on Netflix — has an inborn promising dark parody arrangement at its center. (Yeh Kaali Kaali Ankhein's reason would be unpleasant on a few levels if you were to orientation flip the entire thing. However, that is an alternate discussion.) And because Vikrant is very dearest to Purva, none of the many cohorts and that employer Purva's father, who pretty much runs the town, dare lay a finger on him. Vikrant's life is all-around secured, however, neither he nor the Netflix series exploits that.
That is to a great extent because Vikrant is — basically put — a weakling. Indeed, even his fantasies are intentionally little, as though he's terrified that were he to want more, the universe could fight back or something like that. Also, that is the very thing Yeh Kaali Kaali Ankhein is genuinely intrigued by: Vikrant's change. Maker, chief, essayist, co-maker, and showrunner Sidharth Sengupta (Apharan) — whether the new Indian Netflix series goes right or wrong, there's one man to acclaim or fault — needs to portray the sluggish however inescapable drop of a got between adhering man to his standards and hauling out of Purva's circle.
But Yeh Kaali Kaali Ankhein takes too long to even consider arriving — and the excursion isn't somewhat fascinating or sufficiently interesting. On occasion, it seems like Sengupta took a film-length story and extended it to fit an eight-section first season (that closures on a cliffhanger). It's likewise so intensely plot-driven that it gets tiring after a point. If there's a straight way accessible from point A to point B, Yeh Kaali Kaali Ankhein will take three diversions on the way. Everything is made superfluously convoluted. It needs to drive its characters into awkward circumstances, however, tracks down inelegant ways of getting itself there. It's like Sengupta thinks of himself as a corner, then, at that point, simply decides to surrender, rather than track down a superior course.
At the point when it's not unsurprising — Sengupta attempts to sell us on passings that are not reasonable in any case — it keeps data from the crowd to drive its rushes and secret. Furthermore, time and again, the new Indian Netflix series misleads watchers to set up its exciting bends in the road. Furthermore, generally halfway through, Yeh Kaali Kaali Ankhein basically goes a little crazy — I can't address particulars since spoilers, save to say it's entirely silly, however, Sengupta essentially drives on, as though imagining that we are too moronic to even consider getting on. Yeh Kaali Kaali Ankhein is likewise disappointing in general as the principal season is left purposely deficient.
Netflix doesn't have a decent history of greenlighting future times of its Indian unique series; potentially, we may in all likelihood never see its strings wrapped up.
Set in an unremarkable fictitious Uttar Pradesh humble community called Ankara, Yeh Kaali Kaali Ankhein opens with an Othello quote, however, bears no associations with the Shakespeare play. The Netflix series rotates around the previously mentioned Vikrant (Bhasin) whose first-episode voiceover takes us through his initial life until the present day.
The hazard that Purva demolished his life as a youngster, Vikrant claims, since she was consistently after him. His karma changed after she left town halfway through their tutoring years — Yeh Kaali Kaali Ankhein never explains to us why — before Vikrant met and in a flash succumbed to Shikha (Shweta Tripathi Sharma, in a difficult job) during his school years. Vikrant and Shikha's romantic tale is told totally through a melody; Shikha is less a person and more a Vikrant prop.
However, all that goes for a throw-in Yeh Kaali Kaali Ankhein after Purva (Singh) gets back to Ankara. Once more after Vikrant's bookkeeper father Suryakant Singh Chauhan (Brijendra Kala, from The Aam Aadmi Family) pushes him to work for his lord, the scandalous legislator Akheraj Awasthi (Saurabh Shukla, from Jolly LLB), Vikrant is made once again into Purva's circle.
Furthermore, this time, it's like being sucked into a dark opening. Purva rapidly prevails upon the Chauhans by getting her father to pay Vikrant much more than his Bhilai designing position (for overseeing Zumba dance classes that she runs, embarrassing him all the while) and giving Vikrant's sister (Hetal Gada, from Dhanak) a task as well. Purva is attempting to trap them all. Furthermore, as Vikrant attempts to escape her thumb, she makes everyday life damnation accordingly.
In any case, Vikrant believes that nothing should do with Purva — all things considered, Shikha and he needs one another — and he does close to nothing to conceal it. Why then, at that point, is Purva persistent in persuading Vikrant to be his? Since he's the one in particular who didn't need her in school.
The lady being the provocateur flips the customary person following a young lady shape (that has been profoundly romanticized by Bollywood) however despite that, the man causes more harm to Yeh Kaali Kaali Ankhein. Perhaps that is a way for Sengupta to remark on men's opinion of themselves, how men are just horrible. It's Vikrant's activities — or rather inaction (in addition to flip decisions) — that drive Shikha and her family into the additional difficulty that Vikrant and his family need to manage. Shikha needs to belittle herself, as a result of Vikrant.
A portion of this might have Gone Girl-Esque energies on the off chance that Yeh Kaali Kaali Ankhein understood what it was doing. However, unfortunately, that is an excessive amount to anticipate. Apparently, the new Indian Netflix series is out of control. There's silly parody implanted haphazardly in places. Now and again, it surrenders to the state of mind of the event and fails to remember the person's temperament. It overturns the dynamic between characters to suit the story, totally overlooking what it laid out across a few episodes.
All the more annoyingly, the vast majority of its characters are fixed and don't develop. Normally, Vikrant's bend is the most profound — yet you just feel that because Sengupta arrangements such an unfortunate hand to every other person. But Vikrant, most of them exist essentially to move the plot along.
Furthermore, it doesn't help that Yeh Kaali Kaali Ankhein works in a highly uplifted reality. In some capacity, it's a bizarro satire however enveloped with a serious show. A person will concoct an insane arrangement, before driving different characters to oblige it, which thusly pushes the Netflix series onto a more ludicrous level. On occasion, it seems like Sengupta is driving himself to concoct an increasingly devised and tangled plot — because he doesn't have the foggiest idea what else to do.
In addition, Yeh Kaali Kaali Ankhein will do anything for impact, as opposed to seeing what checks out given the circumstance or the characters in question. There are so many WTF minutes in the new Indian Netflix series, leaving the crowd no opportunity to examine or respond to them. (It's a quality Yeh Kaali Kaali Ankhein imparts to Netflix's past Indian thrill ride series, the Raveena Tandon-drove Aranyak, from December last year.) You may be enticed to say that Netflix India is starting off 2022 on a horrible note — however, beyond a couple generally good titles, this is presently the standard instead of the exemption. Simply take a gander at what it gave us a year ago.
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